
It doesn’t always come up - at least not in my day to day thoughts… not when I’m thinking about what to eat for lunch or what I should do for the weekend. It usually comes up in those quiet moments… those alone moments - when you stare out into the horizon… with nothing more than a tremedous feeling of singular obscurity. When you’re pressed against the backdrop of the glowing, infinite skyline… it’s that overwhelming feeling of insignificance that sweeps over you… pressed against the backdrop of time… of mankind… of that unforgiving clock that moves us forward with each tick… with each tock… that moves us all together… hand in hand… towards our end.
And we’re all aware of this… like some touchy subject that presses its weight on the room… even as we all awkwardly smile and make polite small talk. But as much as it doesn’t come up in the banality of day to day - it does weigh on us - it influences nearly every choice we make… it inspires our art… our music… and even our comedy.
you, i, and everyone we know
are not long for this world
and as much as I don’t think about it…
I think about it.
I recently watched a documentary I borrowed from the library here… it was called ‘a certain kind of death’ and it spent its 90 flickering minutes presenting how the city of los angeles handles the death of those without survivors or next of kin… like william tanner, the amateur actor who, after burying both is mother and best friend, was left with no one to bury him…
The process is methodical for the most part - investigators search the premises of the deceased - looking for wills or letters or photographs or bank statements… anything that would tied the lifeless body to this world… to a family or friends or loved ones. But despite this effort… despite the furniture and paintings and uneaten frozen dinners… for some, there is nothing that shows that they were ever really here.
And the seeming tragedy of this situation fades away… to process and procedure… to estate sales and letters to creditors… to quiet cremation and group buriel… folding in to time… to forgotten faces and forgotten names…
But I still can’t help wonder what it was thinking about… as it laid there in the dew covered grass… that gray possom. It laid on its side, twitching… starring in to my eyes as I passed it the other morning.
was it afraid?
did it know what was happening?
watching its final sunrise crest the treeline
on its final day
and yet, days later, as I watched a man being revived after fainting in the grocery store… I couldn’t help recognize that same look in his eyes… that same look that the possum gave me… that distant, fearful glance… as he lay there among the puddle of spilled milk and broken eggs - after his brush with the emptiness… his brush with dying.
it’s these brushes with death that keep bringing the subject to the surface for me… even through the day to day… the small talk… the radio commercials… the work deadlines… the situational comedies…
Though we toss and turn and bellow and wail and extol our significance to others… to the world…
like william tanner, mankind will move on quietly without us. These things we covet… these possessions we surround ourselves with will, in an unfaithful final act, survive us… and go to the highest bidder.
That all of us - born of flesh or fur or scale… come in to this world with nothing.
and we we’ll leave it the same way.
this is our ultimate irony.












